Midseason Diversity Check-In

From what I’ve noticed of this season’s midseason finales, is that it’s been a rough one. Characters have died left and right, been fired, gone missing, etc — I’M SO WORRIED ABOUT ABUELA! — and a whole bunch of other trials that don’t even happen at season finales! But let’s check in with some of our new and returning characters of color this season. How are they doing as characters and how are their shows faring so far this season?

[a few midseason finale spoilers below, particularly Sleepy Hollow, Scandal and Jane the Virgin. Proceed at your own risk.]

Sleepy Hollow

Over on Sleepy Hollow, it seems like Abbie (Nicole Beharie) has been getting the short end of the stick and fans are noticing. I’m three episodes behind, but from what I saw before I needed to catch up and what I’ve heard with regard to the over-inclusion of Katrina and the killing of Captain Irving (Orlando Jones), it seems that what we once loved about Sleepy Hollow is being written out of existence. (Killing Irving feels a bit like the Black Guy Dies First trope, honestly. Though John Cho’s character did die last season and he was also a major character. That felt more nuanced, however, and Orlando Jones was promoted to main cast and then killed off, so it certainly speaks to the typical horror trope. Le sigh.) Here’s hoping that Irving is magically resurrected and brings new life back to the show. Also, less Katrina. Hopefully this is mere sophomore slump and things will turn around, but if they don’t do it soon enough, it won’t make it to a season 3.

Gotham

One time slot later, Jada Pinkett-Smith has been owning things as Fish Mooney in Gotham City, but can she save an otherwise kinda dull show? I’m also three episodes behind on that one, but I’m not sure I have the desire to tune in again. Fish is the brightest (visually, and she’s definitely up there intellectually) and most interesting character on the show (Penguin holds about even in most fans opinions), so hopefully they give her enough to do. But I’m a little bored by Gotham so far.

Jane the Virgin

Sorry Sleepy Hollow, but if you continue the way you’re going, Jane the Virgin is going to get my Mondays at 9pm live-viewing points. It’s one of the best shows, new or old, on television now, flawlessly weaving from comedy to drama to mystery to melodrama in the blink of an eye without losing its momentum. Definitely the strongest writing of the season, especially for a new show. The Golden Globes recently recognized nominated it for Best Comedy, as well as star Gina Rodriguez for Best Actress in a Comedy Series. I’m not holding my breath that they’ll win, but hey, miracles happen. My only concern for Jane (besides what happened to Abuela in the midseason finale — !! –) is how long can they stretch the premise? I can see the show going one strong season and maybe a season 2, but what are the plans for after she has the baby and for when she’s perhaps, no longer a virgin? Will the show just outlive it’s title? It seems that audiences have shown, with their lack of patience for will-they/won’t they, that they won’t be content to be strung along to wait for Jane to marry a suitor. So far, I’ve been no reason to not trust the creative team, but the concern is in the back of my mind. (Side note: After writing about Sleepy Hollow’s death above, I’ve realized that Zazz’s death was also “Black Guys Dies First”… ::sigh::)

The Flash

I love The Flash. I love Joe West, played by the impeccable Jesse L. Martin. He and Barry (Grant Gustin) have amazing father-son chemistry and usually at least once per episode, a scene between them pulls at your heart-strings. Iris (Candice Patton), on the other hand, has a little ways to go. Barry loves her — this is great for black women being presented as the love interest, especially since she’s not a black female stereotype. But is she too tame in the other direction? I don’t want a sassy black girl — been there, done that ad nauseam– but she’s a bit perfect in every way which makes her a little boring. She also never realized that her so-called best friend is in love with her and has super powers — makes her seem a little self-absorbed. Candice is lovely, I like her a lot, but I think her character needs to find her purpose a little more. We don’t want a Laurel situation…

Shondaland: Grey’s Anatomy, Scandal, How to Get Away with Murder

We already know that Shondaland Thursdays has been knocking it out of the park. And we already know that Shonda Rhimes’ shows have always been champions for diversity as well as color-blind casting (both purposely casting people of color as well as not limiting non-specific casting to only white actors). And this season has been no different. Meredith Grey has a black sister (Kelly McCreary) on Grey’s Anatomy (which I no longer watch outside of the 5 minutes before Scandal comes on)! Scandal’s Olivia is trying to get past her romantic hang ups and finally choosing herself — though it looks like someone else wants to choose her too and kidnapped her to have her. Meanwhile, Joe Morton continues to give the best monologues on television while being deliciously evil! And while we’re all here for Viola Davis (and her manipulative ways) and Alfie Enoch (and his perpetual confusion) being our lead actors, surprise audience interest perhaps goes to Oliver (Connor’s bf played by Conrad Ricamora) and Detective Bae (I mean Nate) played by Billy Brown. All three shows have Image Award nominations, while Viola alone will hold down Shondaland at this year’s Golden Globes (though award for best giraffe goes to Alfie) for How to Get Away With Murder. When we return from hiatus, I can only imagine where these shows will go!

black-ish

In the comedy arena, black-ish has been holding strong, being touted as ABC’s #1 new comedy this season (I think ABCs cancelled most of their other ones already…). It’s already snagged a few NAACP Image Award nominations for Best Comedy, Leading Actor and Actress in a Comedy, as well as some supporting actor and actress noms. The show is quickly finding it’s legs and allowing for more diverse conversations on race to happen on the show — my initial hesitance with it stemmed from a kind of one note portrayal of how black people should be (coming from Anthony Anderson’s character Andre), but I think as Dre learns that his family is still black no matter what they like to do or eat or play, hopefully America learns this lesson too. Shows like this are important in bringing different perspectives into the homes of those who may not (somehow) interact with black people on an even weekly basis. Plus, I am loving Tracee Ellis-Ross and young Marsai Martin is a scene stealer. She’s really going places. Keep a look out for a Black Girl Nerds podcast featuring some of the cast members of this show.

Brooklyn Nine-Nine

Brooklyn Nine-Nine has been holding it down on Sundays. I still think it’s a terrible time slot and foolish to split up the comedies on the network, but it’s a great show that has been giving more and more focus to the two Latinas (Amy [Melissa Fumero] and Rosa [Stephanie Beatriz]) and the black men (Terry [Terry Crews] and Captain Holt [Andre Brauer]). Just looking at the cast photo, it’s really wonderful to see that not only does the show realize you can have more than one black person at a time, you can ALSO have more than one Latina person at a time. Very few other shows (outside of Shondaland) realize that. Not that it couldn’t be even better with some Asian, Native American, Indian or Arab representation; but even without, it’s doing much better than a lot of shows even on this list in terms of a wider range of diverse characters. Though it wasn’t nominated this year, I am still incredibly proud of it winning the Golden Globe for best comedy last year. And Andre Brauer has been getting more and more kudos for his hilarity even while playing the incredibly staid character of Captain Holt– he’s even been nominated for an NAACP award this year.

Honorable Mentions:

• Cristela (Cristela Alonzo) is holding steady with a full season pick up! I haven’t been watching it, but it the few tweets I’ve seen about it say that it’s still pretty funny. Though I suppose your mileage may vary.
• Fresh Off the Boat hasn’t premiered yet, but it will soon add some Asian representation to the network landscape.
• Not really a network TV show, but I must say I am getting more and more excited for The Minority Report — I mean The Nightly Show Starring Larry Wilmore. I’m still sad they can’t use the title Minority Report…http://www.youtube.com/watch?v=iX6xoYMNJfw

We Still Have Some Work To Do:

In less than stellar representation is Arrow (shame on you, one of my favorite shows this season!), for their portrayal of Latinos in one episode this season and for once again whitewashing R’as al Ghul (though your mileage may vary on whether having a brown person play this character benefits representation).
Sadly, John Cho’s Selfie was cancelled. I didn’t watch it, but the few who have are growing to love it before just as they watch it fall into the cancellation abyss. If you like, go #SaveSeflie over on Hulu! I must say that having an Asian-American get to play a romantic lead is awesome and hopefully Selfie’s downfall won’t stop future shows from casting Cho (or any other Asian actor) as their lead.

State of Affairs was seriously underwhelming when I watched it, even Alfre Woodard (whose character is also named Constance) couldn’t compel me to watch episode 2 and its lukewarm reception leaves me wondering if it will survive its first 100 days on TV (I had to make a presidential joke, had to!).

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That’s my TV midseason diversity check-in! I can’t watch everything on TV, so I may have missed some (didn’t a black character bite the dust on Agents of SHIELD? How’s Watson doing on Elementary or Michonne from The Walking Dead?) Some characters are on an upward swing, but others still have work to do. Either way, I am glad to see their faces and hope that there are more and more faces like theirs in seasons to come. The NAACP Image award television nominations had a lot of these actors (Viola, Gina, ), when last season they wouldn’t have had as many options, so there is some slow progress being made. The massive successes of especially How to Get Away With Murder and Jane the Virgin will hopefully finally show studios and networks that you can take a chance on people of color and unique storytelling and people will respond to it.
What other shows have PoC in them and how have they been treated this midseason?