I’ve been neglecting this blog (and other writing) recently (life is getting super busy and I haven’t quite adjusted yet), but Emmy season is fast approaching and I hope to have more time to discuss shows as nominations approach in July.
So I may not be back, but I’ll hopefully post links to articles like this one. This one is especially important because it’s by a black actress making the case for diverse shows to get more Emmy recognition. Her show, Orange is the New Black, is of course an interesting contender: breaking out of the network and even premium cable mold, but it’s also female driven and has a lot of strong characters of color with increasingly important roles.
Check out the article and I’ll hopefully have more to share soon!
Highlights:
“The last series with a non-white cast to win the comedy Emmy was The Cosby Show in 1985.”
“The last woman of color to take the comedy actress prize was Isabel Sanford (The Jeffersons) in 1981.”
“Today, with the groundbreaking impact of Orange Is the New Black, it’s time for Emmy to not only redefine what a winning comedy is but also what “Emmy worthy” looks like.”
I love that she mentions Khadijah James (Queen Latifah) from Living Single.
12 Television Writers of Color You Should Know – Flavorwire
Hopefully this list grows more and more as the 2014 pilot season arises.
Some of my favorites from this list:
Obviously Shonda Rhimes, creator of Grey’s Anatomy and Scandal. I am currently taking an TV writing class and decided to write a Scandal spec script. We’ll see how it goes.
Mindy Kaling – of the Mindy Project, obviously. I didn’t watch The Office, but I watch The Mindy Project and enjoy it’s rom-com style (when it sticks to it) Aisha Muharrar writes for Parks and Recreation. She wrote the following episodes: “Kaboom” (2.06) “Park Safety” (2.19) “Camping” (3.08) “Born & Raised” (4.03) “Operation Ann” (4.14) “Bus Tour” (4.21)”Ms. Knope Goes to Washington” (5.01) “Ron and Diane” (5.09) and this seasons Recall Vote. Yvette Lee Bowser wrote for A Different World and created Living Single. Two of my favorite black sitcoms. I need to check up on her other show Half and Half.
Check out the list for more, some of your favorite shows have writers of color you might not have known about. These writers are from Modern Family, The Killing, Hannibal, House, and Orange is the New Black!
In this digital age of streaming and DVD and Blu-ray, its seems we can watch anything we want, on any device we want, any time we want. Despite the number of networks and outlets available, there are what feels like the fewest black sitcoms on today. Compared to the heyday of the 80s and 90s, the lack of black sitcoms is especially obvious when you consider there is not one on network television. So you’d think we’d be able to go back to those great 80s and 90s TV shows to fill the void of black faces on our television screens. And yes, there are plenty of shows in syndication thanks to BET and TV One and other minority niche networks. But, as I said, in this digital age, you’d think we could watch whatever we want, whenever we want. This is not the case.
When I fell in love with A Different World this summer, I immediately went searching for it on the internet. I found it: terrible quality, 3-parts per episode YouTube videos. Ok. What about on DVD? Only season 1. Netflix? Nope. Hulu? Hasn’t even heard of the show. I currently have 30 episodes stored on my DVR thanks to TV One syndication. Then I thought of other popular black sitcoms and decided to do some research.
Shows like The Cosby Show,The Fresh Prince of Bel-Air, and Family Matters had major audiences. Diverse audiences even; these shows aired during some of the most popular ratings time slots on TV: The NBC Thursday Must-See-TV block and the ABC TGIF block. The first two shows have full series on DVD, but Family Matters remains at only 3 seasons of its total 9 on DVD and none on any of the major streaming sites. Martin and Girlfriends also have all their episodes on DVD, but again, no streaming. Other shows from these eras and time slots, some with lesser ratings or critical acclaim are available but not black shows.
Check out this chart I made, featuring about 48 black sitcoms spanning from the ’60s to the ’00s (only 1 currently running sitcom is on the list)(It’s a bit ridiculous that it only took me a couple of hours to compile this list. It should be a longer list).
Preview of the chart. Click through for the full and most updated version.
Only a quarter of the series on this list have full DVD releases. Only 3 are available on Netflix. Only 5 are available on Hulu. Some can be seen on the WB website or other network/studio pages (not listed on the chart), but I’ve watched shows on the WB website before, it’s not a pleasant experience (perhaps they’ve made some changes).
Why are our shows not available to us? Why must we hunt through DVD bins and “Save Until I Delete” on our DVRs or suffer through terrible quality YouTube versions (missing episodes or muted scenes because of song copyrights)? Why did so many Wikipedia pages say “Season 1 was released on DVD, but future seasons haven’t been made available due to poor season 1 sales”? Are people really not interested? Or were those cop-outs for those companies (more often than not, these shows were distributed by Warner Brothers)? I know that in the case of A Different World, season 1 differs greatly from the other 5 seasons, so of course DVD sales were low. The fans were waiting for season 2-6 to come out. What about The Jamie Foxx Show or Living Single or The Bernie Mac Show? Who is preventing these shows from being available to the (African-) American people?
I put African in parentheses above because here’s the thing: if shows featuring black people aren’t made available to everyone–not just black people–then how will a wider audience of people come into contact with black shows? If they were available as easily as [insert random show that people rarely watch or talk about but is streaming], we could get more than just black people watching these shows. We could expand the typical audience of these shows to include other races and the next generation. And in doing that, we could inspire writers and producers and networks to give more black written/black-led TV shows a shot (especially on network television). Then, more people would have exposure to great television programs and then realize, oh right, the cast was all black.
I don’t know what the solution is. Petition letters for shows like A Different World and Living Single have gone around, but they don’t seem to do much good. Hopefully, Netflix and Hulu will reach out to the black audience. For goodness sake, in their “Categories” section, Hulu has a Spanish Sitcom section while Netflix has a Korean TV Shows section. Why is there no “Black Sitcom” section, why are those shows not available? Maybe we need to create a streaming site that can get the rights to black TV shows; but there are already so many ways in which black television is being propelled backward (maybe you feel this way about Tyler Perry shows, maybe you don’t, but you definitely can’t ignore the complete lack of any black sitcoms on network television–and only three black led dramas, two which premiere this season)–we don’t need to add segregation to the list.
Let your favorite streaming service know that Black Sitcoms are worthy of being viewed. Make them talk to distributors to give them the rights. And support syndication reruns. Somewhere, I’m hoping something will change.
Are there any black sitcoms I left off the list? Any that have DVD/streaming availability that I neglected to mention? How do you think we can get better access to black television sitcoms?
Aisha Muharrar, a writer for NBC-TV’s Parks and Recreation, understands our nostalgic longing for programs that reflected us in authentic characters and situations that brought laughs without compromising our dignity. “I loved watching The Cosby Show, Living Single, Fresh Prince and Family Matters when I was a kid. But so did all my white friends. They were just good shows we all enjoyed. The answer is to make it the norm again so two shows don’t have to be the representation for all of black culture.”
